When Jerry Garcia died I remember thinking, “I wish I’d seen the Grateful Dead live.” Everyone talks about how amazing they were in concert and even though I was never a Dead Head I wish I had experienced it firsthand.
Under the direction of their 85 year-old namesake The Paul Taylor Company is something of a modern dance equivalent to The Dead. It’s impossible to briefly summarize Taylor’s artistic accomplishment and influence; In 1985 he received the MacArthur “Genius” Fellowship, and he’s been the subject of multiple biographic films worth watching.
Taylor’s dances are engaging, enjoyable, and in certain ways, fulfilling. His dancers execute with physical modern dance virtuosity within a bound human range. They usually perform in bare feet, work with curvature of the spine typical to modern dance, and use some momentum in the phrasing. You don’t expect – nor will you see – a circus act at a Taylor show but that keeps open the space for a strong empathy with the performers.
This week at The Kennedy Center the company is performing six better-known works created by Taylor between 1975 and 2008. One critic recently panned the new Taylor choreography “Sulliviniana” (2016) writing, “the whole thing feels like ballet – elegant, genteel, pretty – without generating any fun”. Taylor’s older works cannot be criticized in the same way; they are elegant, genteel, pretty, and they do generate a lot of fun. Continue reading “Paul Taylor: Elegant, Genteel, Pretty and Fun to Watch”