A Word for Love: Bloom

flower band

One of my college professors once told me that the Alaskan Inuit have a hundred and twelve words for snow. This now reminds me that this culture is poor in the words that we have for love. We dont communicate gracefully about this subject. That same professor wrote that good design – as in architecture – is a marker of good thought. “Architecture is crystallized pedagogy,” is what Dr. Orr said.

Our modern American culture is amazingly clear about some very complex things (microchips, genetic engineering, even dance) and yet very fuzzy about love. Our words, our architecture, for love are poorly developed, which is a good sign that we dont think well about this subject.

Inuit culture was rich in its appreciation for what surrounded them. And though love surrounds all of us here -even in the lower 48 – we are encouraged today to notice commerce. My understanding of the words “success”, “wealth”, and “rich”, is strangely tied to commerce.

money

To love is to risk. But as with many things, to do nothing – not to love – is an even greater risk. I had a younger first cousin, my fathers only sisters second youngest. He died when I was eight, he seven. He was a kind, otherworldly boy. We buried Rafael in the wood lot on their farm, and planted a tree on his grave. A few years later, my great-grandmother died. Though she was 104 years old, it was still awful when she died. Just as it was when Rafi died. And theres nothing that I can do about that.

I hate to be Hallmark, but death is a part of life. When you need to control things in order to feel comfortable, you have a hard time appreciating the things that you cant change. I watched the movie Pay it Forward again the other night. I always cry at the end. The song “calling all angels” when the community brings flowers to Helen Hunt’s house just does me in. The movie reminds me that people place flowers in mourning

We place flowers in mourning. But flowers are a birth. They bloom. Why do we use them at death? Is it to make ourselves feel better with their bright colors? Or is it to remind us that even in death there is life? Maybe we are letting the flowers remind us that even in death, the mourned individual still blooms. Whatever once bloomed in them is beautiful, still.

Every flower withers. Whethe we notice it was ever there, whether we see the bloom again or not, everyone who has lost a loved-one knows that while remembering beauty is painful, forgetting beauty is worse. Society as a whole seems befuddled by love in life, but in death we know our love is a flower.

Love is expressed not one way, not two ways, but in 6 billion human ways, and innumerable non-human ways, including with the letters B – L – O – O – M. The only thing we can control is whether we notice and encourage our own bloom, and the blooms around us.

all the lonely people, where do they all come from?

[original written 10/5/06. this version 8/9/08 – Both, Copyright Robert Bettmann]

Am I Not A Man And A Brother?

I was reading some American History and came across the following phrase from the abolitionist movement: ‘am i not a man and a brother?’

For some reason the phrase really captured my imagination. I found a decent explanation on this site.

The first and most identifiable image of the 18th century abolitionist movement was a kneeling African man.

Members of the Society of Friends, informally known as Quakers, were among the earliest leaders of the abolitionist movement in Britain and the Americas. By the beginning of the American Revolution, Quakers had moved from viewing slavery as a matter of individual conscience, to seeing the abolition of slavery as a Christian duty.

Quakers, who believe in simplicity in all things, tended to view the arts as frivolous; but when the Quaker-led Society for Effecting the Abolition of the Slave Trade met in London in 1787, three of its members were charged with preparing a design for “a Seal [to] be engraved for the use of this Society.”

Later that year, the society approved a design “expressive of an African in Chains in a Supplicating Posture.” Surrounding the naked man was engraved a motto whose wording echoed an idea widely accepted during the Enlightenment among Christians and secularists: “Am I Not A Man and A Brother?” The design was approved by the Society, and an engraving was commissioned.

The design was symbolic both artistically and politically. In addition to evoking classical art, the figure’s nudity signified a state of nobility and freedom, yet he was bound by chains. Black figures, usually depicted as servants or supplicants, typically knelt in the art of the period, at a time when members of the upper classes did not kneel when praying; this particular image combined the European theme of conversion from heathenism and the idea of emancipation into a posture of gratitude.

Josiah Wedgewood, who was by then a member of the Society, produced the emblem as a jasper-ware cameo at his pottery factory. Although the artist who designed and engraved the seal is unknown, the design for the cameo is attributed to William Hackwood or to Henry Webber, who were both modelers at the Wedgewood factory.

In 1788, a consignment of the cameos was shipped to Benjamin Franklin in Philadelphia, where the medallions became a fashion statement for abolitionists and anti-slavery sympathizers. They were worn as bracelets and as hair ornaments, and even inlaid with gold as ornaments for snuff boxes. Soon the fashion extended to the general public.

There’s some obvious connections to several aspects of our lives today.

Do you know the name of G’d?

I really like unusual people. Passionate people.

I met Heather Morgan four years ago on a fourty-five minute plane ride, and we have stayed in touch ever since. At the time – for those fourty-five minutes – we had a very intense discussion about the importance of knowing which god is ‘real’. In her opinion, if you don’t know the name of Jesus Christ as god, you will, unfortunately, not go to heaven. Also, even if you were a very bad person, if on your deathbed you accept him as your saviour – you go to heaven. I have real problems with that. I don’t think god would begrudge if you didn’t know his name. What’s more, I think it’s one of god’s little tricks to have given himself many names to see if we would fight over them.

One of the things that really impressed me about Heather was that two weeks after our meeting, I got in the mail a book called “Christian Dialectics”, which passionately discusses the importance of her reasoning. Really impressed me that she did that. She really is a love.

I got an email from her today that I enjoyed.

This happened today so I thought I would share it with you.
It was Giannina´s (my assistant) turn to teach Bible today in Spanish. The story was about Jesus healing the 10 lepers and only one coming back to tell Him thank you. You never know exactly how much 3-year olds are actually comprehending, but at the end of the day I was reminded again that they are understanding and paying attention (although at times they appear to be out near the moon). Back to the story…. When my kids were leaving this afternoon, only 2 were left when one little girl came up to me and said, “Mrs. DeLand, Gracias por la clase.” (Thank you for the class)
This really encouraged me. Hope you are doing well.
Heather

Heather is now married, and is a missionary in Honduras with her husband.
As a jew, I am not supposed to say the name of god, nor write it. Many jews write g’d to express god. I’ve always been a bit confused by that. Where does holiness begin and respect end? Where does sanctity begin, and where does it end? I’m glad Heather and I are still in touch.