Hot For Teacher

Well, once again there’s another video taking the blogging world by storm. This one is of little girls (little women?) performing a dance to Beyonce’s “Single Ladies”. You can see a response on Parent Dish here, one from Babble here, and another from Strollerderby here. Here is the video:

The issue is whether the adults responsible for this performance have a responsibility to enforce more appropriate child-like behavior, and/or model less sexual adult female behavior. Why is it ok for little girls to be made to act “hot”? Isn’t that, like, actually punishable by prison (if it wasn’t on the stage)?

Dance teachers at all levels are responsible for contributing to the healthy maturation process of the child. They’re not just dance students. They’re kids. On the way to becoming adults. Learning and performing the dance in this video these girls learned that if they dress and move that way they get positive reinforcement. That they should dress and move that way. That these kids are being used as sexual objects without their consent (they’re children) is terrible.

This type of performance is not uncommon. It’s not clear what direct effect rehearsing and performing this dance had on these girls, but I can say without a doubt that this is why I was relieved when my eldest niece stopped her training. I love dance. I love it. But when she quit I was honestly a little relieved, because being a professional I’ve seen how twisted the pre-professional world can be with young men and women. The reality is that dancers commonly go professional at age 18, and sometimes even younger. So to prepare them, pre-professional students are made to project like men and women far before they actually are.

As we mature we realize our manhood and womanhood as a reality. To have ones personal identity shoved into a particular box before it fully exists is unhealthy (even though the child may never realize it.) This problem exists broadly in theatrical arts education, but most seriously in dance education. Boys and girls are actually physically told to mimic adult male and female motion (as in this video), and to move and interact in those ways. We are not just making artists with pre-professional training; we are making humans. Teachers have an actual responsibility to help children act like children so that they have time to mature as whole humans.

Herb and Dorothy Vogel

hmpageOver the last few days I watched the movie Herb and Dorothy on Netflix. The movie, by Megumi Sasaki, is an uncomplicated sharing of an extraordinary true story-line: a library worker and a postal worker who over 40 years amassed one the of the most important collections of modern, abstract, and minimalist art in the United States. (Much of the Vogel collection is now with the National Gallery of Art.)

You wouldn’t exactly call the movie ‘illuminating’, but it is charming (and astounding), especially if you’re an art-lover. Here is the trailer:

HERB & DOROTHY Trailer from Herb & Dorothy on Vimeo.

The FY 11 Arts Budget: Is My Hair On Fire?

There is concern about the state of arts funding in D.C., including the potential for a tax on live performance. Policy-makers must find money to preserve social services, and it’s reasonable to be concerned. The arts are frequently pitted against social services in funding battles. However, due to regular and informed advocacy over the last 48 months, it seems likely that the arts will not be cut further.

The Safety Net for the District’s most needy was a major issue in last year’s budget deliberations, and it remains a major concern this year. The budget fight happening in the District is mirrored in similar fights across the country. The Americans for the Arts are tracking budget debates nationwide, and they recently shared an article which noted,

“Children’s welfare supporters faced off against art advocates in Sacramento because of a proposal to spend a half million dollars on new exhibits at the future Crocker Art Museum…. ‘We’re in a crisis. We’re in a situation where kids are going to die,’ child advocate Bob Wilson said.”

That terrible crisis occurring within California’s budget battle highlights two things: that the most important social service politicians can provide – long term – is sound fiscal policy; and that the biggest mistake arts advocates can make right now is to turn a blind eye to the most needy. Arts advocates must speak out to preserve arts education, arts investment, and public art. But we should also be fighting for affordable housing, meals for the homeless, and education. Because we are in a down economy, it is critical that arts advocates take the time to inform themselves, and participate in these discussions intelligently. As Senator Daniel Patrick Moynihan said, “We’re each entitled to our own set of opinions, not our own set of facts.”

The proposed FY 11 budget includes a 10% cut for the arts this year, which is in line with general reductions in development spending. Due to no fault of their own, many city Safety Net programs have been decimated by the economic decline, including, as an example, low income housing. The Housing Trust Fund, which supported affordable housing for the most needy in the District, had grown over the last decade based on a dedicated appropriation allocating15 percent of deed recordation and transfer taxes (from sale of real estate) to the fund. But when the market crashed, and people stopped buying homes, the fund also crashed, and money for low-income housing projects disappeared.

Policy-makers have to find new revenue streams because money for existing programs has disappeared. Last year, the council took a number of steps, including: DC’s general sales tax rate was increased from 5.75 percent to 6 percent; The Cigarette tax was raised from $2 per pack to $2.50; The Gasoline tax was raised from 20 cents per gallon to 23.5 cents, matching the rate in Maryland, and revenues from the tax were moved from DC’s highway trust fund to the city’s general fund. With all of the things they did do last year, there were a number of things that they considered, and did not do. One example is a tax on live theater performances.

In some ways, a ticket tax would make sense. Last year, Ed Lazere, Director of the DC Fiscal Policy Institute, wrote a post in Greater Greater Washington, suggesting that the city should impose a theater ticket tax. He noted, “If you go to an event at the Verizon Center or a Nationals game, the ticket sales tax is 10 percent. Movie tickets are taxed at the basic rate of 5.75 percent. But people who buy tickets to theater performances — plays, musicals, opera, dance, etc. — don’t pay any sales tax at all.” Ed was one of the people responsible for securing the housing trust fund appropriation mentioned earlier, and is a respected voice in public policy considerations.

When the DC Advocates for the Arts visited with Councilmember Kwame Brown last year protesting arts funding cuts, his staff discussed the possibility of a dedicated tax for the arts generated from a ticket tax. Before the bill could even be introduced, however, arts businesses, already completely strapped by the down economy, were successful in convincing policy-makers that the proposal would actually reduce total revenues. (A tax would effectively make ticket prices more expensive, and this could affect number of tickets sold.) This year, again, council members want to raise revenue so that they can save programs. So again this year, a lot of ideas are being floated, including the same theater tax idea. Given that it’s election season, it’s unlikely that arts interests will be completely ignored to raise a small amount of tax revenue. The DC Advocates for the Arts will keep you informed as the budget debates proceed, and we hope that you will participate to whatever extent you are able.