There is just something interesting about a Nazi living in a New York gallery with a live Coyote for three days… Thanks to Kriston Capps for pointing out in his Whitney Biennial review. Photo and photo caption from here.
“This photograph by Caroline Tisdall is from Joseph Beuys: Coyote, a 1976 book recently published in a new edition by Shirmer/Mosel. The book documents Joseph Beuys’ 1974 performance art piece, Coyote: I Like America and America Likes Me, in which the artist spent three days and nights caged with a wild coyote in René Block’s New York Gallery.” To see a not-quite-interesting-enough-to-make-it-worth-watching-such-a-long-video documentary about the artist and the project, click here.
[Note: in response to the first comment I added attribution for the quote below the image. In response to the 2nd comment I fixed apostrophes in my own comment.]
I’d be an irresponsible blogger if I didn’t log on about the recent Sprite Step Competition which crowned a WHITE women’s fraternity from Arkansas (ZTA) champion. The Washington Post article by Neely Tuck does a nice job summing up the issue:
When the team finished — to wild applause — emcee Ryan Cameron, a local radio personality, rushed onstage: “Whoa! Wow!” Then he playfully admonished the sold-out crowd of 4,600 fans, nearly all of them black, not to be so surprised that the evening’s only white contestants were that good.
“Close your mouth! Close your mouth!” he said with a laugh. “Stepping is for everybody. If you can step, you can step.”
But later, when it was announced that the Zetas won, the feel-good vibe evaporated. Large sections of the crowd starting booing. Then Internet and radio-call-in warfare broke out when the videos were posted on YouTube. There were allegations of cultural theft and reverse racism, not to mention race-based taunting and name-calling.
Late last week, Sprite officials said they discovered the scoring discrepancy. This was odd because the show’s host, rapper Ludacris, assured the crowd that the judges’ scores had been “double-checked.”
Here for your enjoyment – and I don’t know if it should have won but it is cool – are the ladies of ZTA:
The responses on this have been really interesting in the blogosphere I track, including backlash against Sprite for double-championing, and “reverse-racism” (on ESPN no less…) In a social media conversation I wrote, “I know white people who do indian dance, and play jazz music, and I know black people who dance ballet. In judging performance – do the apparent cultural roots of the performers matter? I think our perception and judgment of performance is closely tied who the “our” is in this sentence. Who owns our art forms? All successful (read:compelling) art forms evolve over time, as do the people who practice them. In this performance the audience and judges made a decision which reflects their mores as judges, and as audience.” That was within a conversation that was beautifully heart-felt and open… As a white person it is not my culture being assimilated (again.) There are real issues of cultural appropriation in the not-so-distant past within the originating Step community.
It seems like most people are really owning their issues in discussing this. Sprite just wanted some publicity from a Step competition to market toward hip urban consumers, not a boycott on charges of racism.. Who says there should be an easy answer? By the by — the last post I wrote titled This Land is Your Land is about Israel, and the Palestinian conflict.
Last week, performance artists, visual artists and others gathered at the Capital Hill Arts Workshop to prepare for Arts Advocacy Day this week where they will alert DC council members to the importance of the arts to the nation’s capital. The arts provide 11,205 full-time jobs in the district and create venues where $355 million in income is paid to residents and $62 million in direct local government revenue. Artists, led by DC Advocates for the Arts want the DC council to understand that the arts are not only “feel-good”, but help to revitalize the economy.
Growth and investment in arts and culture leads to growth in other areas. The area of tourism in Washington DC is largely fueled by the attraction of the arts. From venues like the Kennedy Center, to restaurants like Busboys and Poets which are hubs for local artists to convene and perform, the lure of tourism to the area is often the rich cultural scene in DC communities. Cultural travelers vs. all U.S. travelers spend more money on average and cities with a rich arts culture often benefit.
To learn more how you can become involved with Arts Advocacy Day on Wed., March 3 in DC, visit www.dcadvocatesforthearts.org
by Khadija Ali-Coleman
Original post url: http://www.examiner.com/article/dc-advocates-for-the-arts-gear-up-for-arts-advocacy-day-on-march-3
